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short_round

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Posts posted by short_round

  1. "Judge me by my size, do you? Hmm? Hmm. And well you should not. For my ally is the Force, and a powerful ally it is. Life creates it, makes it grow. Its energy surrounds us and binds us. Luminous beings are we, not this crude matter. You must feel the Force around you; here, between you, me, the tree, the rock, everywhere, yes. Even between the land and the ship. " - Yoda

  2. in the unlikely event that I would run dry i feel it much faster to rack the slide then to fiddle with the slide stop... I'm left handed and that makes it harder to naturally use the slide stop.

    Me too and I'm right handed. I tried a couple of stages where the gun started unloaded but could be started in slide lock ... so I did. It turned out I spent more time farting around with the slide release than it would have taken me if I would have racked. Why? because we rack the slide all the time during LAMR. We hardly ever use the slide release.

  3. Hmmm...looks like short round shot over 100%...way to go.

    Well that's not so good. I finally got out of unclassified into B on this go around and this classifier didn't make it. Looks like it'll get thrown out when it does get on.

    I looked over the scores again on the club's website and it looks like I remembered wrong. I shot 50 points in 6.18 seconds so my HF is really 8.0906. From the numbers you have Ron it looks like that should be 93% for open?

    From the video and what I remember the run didn't seem exceptional or feel very fast. I guess the good ones never do.

  4. I also would recommend the self squadding system that Rob Boudire has introduced. The Golden Bullet section matched used it and it seemed to be favored by most of the shooters.

    The self-squadding at GBC was excellent!!

  5. The only problem I have had, is that the springs on the one in my limited gun were "Dead" after only 5K rounds or so, and they went durring a match.

    I had this happen in my open gun this last weekend during a club match. FUBAR'd three stages because of it. The classic death jam where the brass is still partly in the chamber and the slide is locked back on the next round that has nose-dived into the bottom of the feed ramp.

    I changed the springs out before practice last night and the gun ran great for 120+ rounds. Looks like I need to stock extra springs. All this after 6k rounds.

  6. 31. The next time you sneeze say "God Bless Me" before someone else does.

    32. Walk down the hall placing one foot directly in front of the other and mutter "baby-steps, baby-steps."

    33. Go around the office and re-load everyone's stapler with 10 staples in accordance with the new office staple ban.

    34. Take extra staples with you and tell office-mates that they can have them back in 10 years.

    35. Park your car as close as you can to the lobby of your work and leave the keys with the receptionist to give to the valet.

  7. I'm not all that worried about being "real-world tactical" and all that stuff

    I think you should get an FTDR for even thinking this. Cleary this is a violation of the spirit of IDPA.

    but I like to compete in a fair game

    The reference to a "game" is definately an FTDR if not two or even more.

  8. Some folks tell me I need to treat each position as a small speed shoot and book it without haste from spot to spot. To be honest, that's what I thought I have been doing.

    I'm no expert and this is just a guess. I've been working on my mental aspects of shooting a lot lately so here it goes ...

    Once the stage is broken down into smaller speed shoots do you put them all together into larger picture? Like a mental step back to look at the puzzle once you have all the pieces in place.

    It reminds me of the awareness/attention parts of Brian's book. Kind of like being aware of the whole stage and shifting your attention to each position as you get there then further shifting you attention to each target. As each target is complete you shift your attention back to the position. As each position is complete you shift your attention to your overall stage picture.

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