Bill Nesbitt Posted September 14, 2011 Share Posted September 14, 2011 (edited) [but I don't recall seeing a case where soft cover was a few feet in front of a target and that target in view from another location. The soft cover obstructed the view of the target from one postion but didn't prevent you from shooting it if you wanted to as opposed to going to the other location. Here's pictures of an IDPA stage I ran last month. It was declared that there was no hard cover on the stage and the "bushes" were soft cover. Shooters could move anywhere on the stage as long as they didn't break the 180. Ignore the steel plates. They weren't part of the stage. Edited September 14, 2011 by Bill Nesbitt Link to comment Share on other sites More sharing options...
ArmdCtzn Posted September 14, 2011 Share Posted September 14, 2011 [but I don't recall seeing a case where soft cover was a few feet in front of a target and that target in view from another location. The soft cover obstructed the view of the target from one postion but didn't prevent you from shooting it if you wanted to as opposed to going to the other location. Here's pictures of an IDPA stage I ran last month. It was declared that there was no hard cover on the stage and the "bushes" were soft cover. Shooters could move anywhere on the stage as long as they didn't break the 180. Ignore the steel plates. They weren't part of the stage. I like it! You could call that stage "Children of the Corn". The array with the no-shoot in the middle would be interesting. Were you roasting marshmallows on the fire as a starting position? Link to comment Share on other sites More sharing options...
Bill Nesbitt Posted September 14, 2011 Share Posted September 14, 2011 I like it! You could call that stage "Children of the Corn". The array with the no-shoot in the middle would be interesting. Were you roasting marshmallows on the fire as a starting position? Actually, we called it "Last Dance With Mary Jane". So I'm not an artist. Yes, roasting marshmallows was the start position. I saw a bunch of different ways to shoot it. Link to comment Share on other sites More sharing options...
Graham Smith Posted September 14, 2011 Author Share Posted September 14, 2011 Bill, that's sort of what I had in mind. I cannot tell from the photo but was there just a single shooting position? Where I'm going with this is you start with a view something like photo one but can then move and get a view something like photo two. Link to comment Share on other sites More sharing options...
Bill Nesbitt Posted September 14, 2011 Share Posted September 14, 2011 Where I'm going with this is you start with a view something like photo one but can then move and get a view something like photo two. Yes. Start position was at the fire. After the beep the shooters could move anywhere on the bay as long as they didn't break the 180. We had 80 shooters and I think everybody shot it a little different. If they shot from near the start position, then they had a view like photo 1. If they moved down range they had a variety of views depending on where they moved. Link to comment Share on other sites More sharing options...
Dwain C. Baer Posted September 14, 2011 Share Posted September 14, 2011 I think it was a great stage...and really enjoyed shooting it too Link to comment Share on other sites More sharing options...
ArmdCtzn Posted September 16, 2011 Share Posted September 16, 2011 I like it! You could call that stage "Children of the Corn". The array with the no-shoot in the middle would be interesting. Were you roasting marshmallows on the fire as a starting position? Actually, we called it "Last Dance With Mary Jane". So I'm not an artist. Yes, roasting marshmallows was the start position. I saw a bunch of different ways to shoot it. Ah, I see, you've stumbled across somebody's dope field. That's a good scenario. Looking at the pictures I think I'd drop my marshmallow and shoot all the targets from right there. Neat stage. Link to comment Share on other sites More sharing options...
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